"The photographer, fascinated by ruins and deserted landscapes, seeks analogies with the bruised bodies. Speaking of these photos as "self-portraits" where magic realism emerges, the artist aims to metaphorically give body to intimate experiences.

These spaces, most often pulverized, lead her to wonder about the denigration of our society "for everything that is no longer functional". An even more interesting reflection at a time where one is most often dispossessed of their work or creative power. Like her series Copies doubles, autoportrait en espace(s)- inspired by a fortress built in the 19th century by the British as a trading post in Tarfaya, but ultimately serving as a prison under Spanish occupation in the 20th century - the Dolores, mythology in the making series scrutinizes what "the real wounds ”of landscapes can tell about an intimate story of violence.

Olivier Rachet, Diptyk Magazine

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Dolores